What book sales teach us

Well, the up side: Love or Lust is selling; yay for me.

In fact, this is the first lesson: contrary to logic, it is easier to sell a $3.99/£2.62 book than it is to give it away. DriveThru and Smashwords report no one has taken a free copy. According to Amazon the paid copies are just traipsing along at a steady clip. I won’t ask. I mean, really folks, I appreciate that people are paying for it but I’m not starving – my day job pays terribly, but it does pay.

Next lesson: approximately 1/3 of Americans don’t know what a sample is for. How do I come to this statistic? Well, it’s the best guess I can make when a full 1/3 of my US sales were very quickly returned, if the person started reading and changed their mind … you know, like in the span that the sample would have covered.

Corollary lesson: Brits don’t have that problem. The sales there are coming slower, but are catching the Americans up and they seem happy with the purchase.

Kobo can’t tell time. 36hrs is, last I checked, greater than 24hr. Greater in this context means more, large. It does not mean better. I’m still pending there, but I don’t know why.

This has been an … educational experience.

Announcing: Love or Lust now available!

Love or Lust coverNow available in eBook and Print: Love or Lust the first of four books in the Now & Forever series.

A light-hearted, slice-of-life, romantic-comedy for young adults, Love or Lust introduces you to Lauren Conners, a ballerina, a Good Girl, studious, and sweet, and to Salencia Constellino, an exotic, irreverent cowgirl new to the little Washington town.

When the girls meet it’s love at first sight; sparks fly, angels sing, lightning and fireworks. But they attend the best school in the area, a Catholic secondary school, Immaculate Conception. It’s not just their school that brings trouble for the young couple. The young teens have their own inner turmoils and anxieties — especially Lauren, who always wants to think the best of people, but quickly learns just how petty people can get.

It’s an uplifting story, though, meant to inspire and give hope. The girls have supportive and loving friends and families. And, largely, the obstacles of life and of being teenagers are navigated with quirky senses of humour and strange misunderstandings.

In this book Lauren and Sally are first and foremost, young high school freshmen, fourteen years old and trying to make sense of themselves and the world around them. It is my hope that it might show people that we’re all human beings no matter who it is we choose to love. That homosexual, heterosexual, bixsexual, asexual, trisexual, or what have you, are still people; still feeling beings with hopes and dreams.

Print book us$17.99/£11.50/€13.75
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eBook us$3.99. Available in numerous countries at proportionate price.
Currently in:
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Coming soon to:
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Print Pricing

Sadly, I just got done interacting with CreateSpace.

I can’t recall now if I was just working with an estimator before, or not, but now that the book is up for processing and eventual sale the final price tag is us$17.99, with standard exchange rates applied to the price tag for £ & € (sorry I don’t recall those numbers off hand and am not in a good position to look them back up right this moment).

The eBook, naturally, will be far more affordable as it will be under us$5

Sometimes it is, because it is.

When writing, sometimes a rose is a rose because it isn’t a geranium.

Recently I reblogged a commentary by Seanan McGuire about sometimes someone’s a character is gay because they’re gay. Honestly it’s true of so much of fiction.

In an edition of Little Women that’s put out by Barnes & Noble there’s a contemplation about the girls‘ generosity and selflessness that doesn’t once contemplate that the girls are … wait for it … simply good people! It even contemplates ‘their masochism‘ in giving up their Christmas breakfast to a starving family! They can afford to have a nicer dinner to make up for skipping breakfast, afford to spare this breakfast to one poorer even that they are and so elect, on Christmas, not to let a poor woman and her children go hungry and this is masochism?!

Besides the criticism I could make of such short sighted analysis, it makes a beautiful point – at times you need look no further than the words in front of your face to find the reasons for it. Call it masochism or call it charity the reason is before you: because that woman and her family was hungry, and the sisters were not – not in that context in any case. Why are they so pious? Is it competition with one another? Emulation of their mother? Well, perhaps somewhat the latter in the sense that she was a good Christian woman and taught the girls to be good Christian women themselves.

It’s behaviour, it’s race, sexuality, height, eye colour, hair colour, tastes in music, all of it comes down to basic characterisation. In Now & Forever, Lauren is a redhead. Simply because she has red hair. Salencia is half Italian because her father is born and bred in Naples. They story is unaffected by it, it just is. Or is there some impact on the story? A subtle one? I think so, actually. You get to know the characters a little. You now know just a bit more about them. This helps one understand them better. Identifying with the character shouldn’t have to mean that she is just like yourself, it should mean that the author has done a fair job of giving you proper insight into the characters’ motivations, thoughts, and feelings.

The biggest question, though, comes back to why? Why should there be some purpose or meaning behind these details? Why should Lauren’s eyes being green-hazel have any significance or symbolism? Why should the fact that one of Sally’s best friends in Colorado is a heavyset girl matter as more than a marker to show that she isn’t skinny? Is there some significance that Sarah is black, or that she’s a cheerleader? No. They are because they are. Lucy isn’t generic Native American to try to include any tribal groups of the United States, she’s Native American and generically so because she’s Lucy. Just as the March girls are pious and generous because they’re part of the March family.

Is there, at times, symbolism and purpose in fiction? Absolutely. Intentional and unintentional. I’m almost guaranteed to commit the latter a thousand times more often than the former, but in Pride and Predjudice you can’t go three words without hitting a deliberate symbol. Sometimes a character is something because they must be; Love or Lust and its sequels can hardly be a girl-meets-girl love story if one or both of them is a firm zero on the Kinsey Scale.

Personally I think one should avoid ‘there’s a reason …’ thinking beyond what simply must be. If you want to write a romance, you need to pick some characters who’re attracted to one another, but beyond that just let them be. If they wind up all Asian, all Agnostic goat herdsmen, or a group of magenta aliens from Ultharen, then so be it. It needn’t mean anything. This goes for readers and writers alike. See the story that’s before you, write the story that’s in your mind. We needn’t always over think the words and the works.

What gives?

Okay, we’re all readers here, right?  I mean I can think of few other candidates for followers of an author’s blog, and it breaks my mind to try to imagine a writer who doesn’t read.

Readers are notoriously opinionated people (about books).

So why is it, then, that I’ve only one reply to my question?

I did have one person click like — so I turned Like off for that post because, really?  Why?  What is the magic of the Like button that, not only does everything have one now, but that people will click it on things where it either makes no sense to do so or it is expressly asked not to?

Anyway stress is not fun.  Editing is stressful.  As is the realisation that I’m hitting the final week that 2/3 of my agents say they take to respond.  I’m of a mind to say to Hell with self-publishing and just keep shopping the series out to publishers and agents till I get a bite, but I’m pretty sure I’m nowhere near so patient a person.

Wish me luck, I’m going back to editing now.  At a scene I like, but have this sinking feeling ought to either be axed or relocated.  Always such a bother to figure out if that’s true or not, and then if so there comes the question of which to do.

Hurray for the little guys!

First off there’s the background, located on John Scalzi’s blog referring to a bit of drama between a woman who wrote a space opera story and a miniature’s game company detailed here.

Well, the news progresses toward better with a later entry that the EFF was getting involved.

And according to this (and a quick search of the kindle store confirmed it) the title is back up!

It’s very relieving to see that.

It’s kind of sick, and a sign of something deeply wrong with the world that Games Workshop would feel inclined to try to bully an author out of her book over a term they do not own the trademark to (they do own it for games in the US, but her book is not a game.  Even if she were selling a Warhammer40k rip off book — which she isn’t — that would be a copyright issue, not a trademark issue barring her using the Warhammer40k logo and other such things).  The closest thing to a violation she could be guilty of is IF, and as far as I understand it she does not, she were to sell a print copy of the book in the UK.

Trademark is not like copyright.  It’s not international.  People just think it is.  There’s a reason anyone can sell champaign in the US, but only vineyards in Champaign can do so in the EU.  Cheddar?  Same.  The whole thing over the iPhone in Brazil (or was it Columbia?  Some fairly large S. American country, anyhow)?  It’s all because a trademark is held in the country it was granted in and nowhere else (or in the case of the EU by the trade organisation granting it).

Trademark also only applies to that which it was granted for.  If the South American iPhone had been a children’s toy with no electronic components there may not have been a trademark suit (or there might have but it could easily have been thrown out, or have been ruled in Apple’s favour).  If I trademark a pizza and call it the Lazy Susan, the makers of the Lazy Susan couldn’t say anything — their trademark is on an inanimate object, mine would be on a food product.

Sadly, this doesn’t stop companies.  McDonald’s restaurants  so harassed the clan MacDonald that they actually changed their name to Clan Donald to shut them up!   McDonald’s couldn’t do much, they held a trademark on foods and a restaurant chain, though that did cause problems for various clan members trying to start businesses who’d simply like to use their own bloody name, to the point that the clan has this.  Or a famous golf course in Florida, whose name escapes me and far too many exist to narrow it down, but it’s named for the city it’s in/near — so too were several small mom & pop businesses.  The golf course sued, and won to make them change the name!

No, the little guys don’t always win in these situations, no matter how utterly wrong, or perfectly idiotic the claim.  Sometimes, like with the MacDonalds, they win the legal argument, but then here comes another and another and another until they get too sick of it to argue any more.

Still, we should always fight — and from what I can see the SF community did just that and in spades.  It gets things done, certainly.  I hope that the reinstatement of Ms Hogarth’s book means that her fight with Games Workshop is over.  If it’s not I hope to see the SF community continuing to help her stand up to them.  Maybe by this example other such nonsense will be given pause by companies not willing to face the hellish PR battle that is making arses of themselves in these days of the internet, or by setting up the proper legal precedent that such things will fail, and so forth.

If you’re curious about her books, they can be found here.  She’s also on Smashwords, iBookstore, and Amazon, but I’ve a low opinion of the former, no idea how to do a link to author for iBooks (only link to ISBN), and the latter are the same people who took the book down in the first place (oh!  In case you missed that part reading the other posts and articles out there:  Games Workshop only had the Kindle edition of the book’s sales dropped — the print on Amazon was left be, as well as the eBook in all other distribution channels!).

Revisiting the Fleurons thought

The first option:

Lauren was still sorting out her thoughts and deciding to go over to say hi, and wondering what to say after that when she was saved the bother by the tall girl walking up to her and saying “Hi, I’m Salencia – you can call me Sally, if you prefer.  I’m new around here and … are you hungry?”

*****

Salencia didn’t care much for running, not really, she found it rather boring.  Still, she hated feeling out of shape even worse and it would be a few more days until her dad could help her hang her punching bag and before they could look into a place to stable Stardance; the downside of this move being nowhere big enough to keep a horse at the house.  That’d upset her, but her mother’s new job meant more money and more time with she and her father.  That made it forgivable that her horse was back in Colorado, if not great.

The alternative:

Lauren was still sorting out her thoughts and deciding to go over to say hi, and wondering what to say after that when she was saved the bother by the tall girl walking up to her and saying “Hi, I’m Salencia – you can call me Sally, if you prefer.  I’m new around here and … are you hungry?”

Fleuron

Salencia didn’t care much for running, not really, she found it rather boring.  Still, she hated feeling out of shape even worse and it would be a few more days until her dad could help her hang her punching bag and before they could look into a place to stable Stardance; the downside of this move being nowhere big enough to keep a horse at the house.  That’d upset her, but her mother’s new job meant more money and more time with she and her father.  That made it forgivable that her horse was back in Colorado, if not great.

It shouldn’t feel or seem so much like trying to decide if I should invade France or something, but that’s what it’s feeling like. That little graphic goes a long way toward adding a little visual excitement to the page, and this is one where things ought to display properly without much headache — the question becomes will it add up to a ridiculously sized document in the end? I honestly can’t say. I would hope that the image would be recognised as being the same repeated, saved once, and just referenced repeatedly — but I can’t say for sure that this is going to be the case.

I suppose I shall just have to experiment at some point and find out.

Happy Christmas & New Year

chirstmas twinkle
chirstmas twinkle (Photo credit: jewell willett)

Editing of Love or Lust has slowed due to the holidays.  It should pick back up after New Years.

Writing of Ready or Not has slowed because of chaos at work and home and some of it’s the holidays.  I’m typing it, though, which is good.  I’d more than doubled the word count without typing a single syllable of it.

Well, peace, love and good wishes to all until next year!

Lessons and discoveries

It’s rather amazing to be an author. You really get to discover a lot about life, the world, Humanity, and so forth by seeing it through various different eyes, and by living so many different lives.

Take Christmas. America exports its “traditions” all over the world, corrupting things that really are old traditions. Bringing commercialism into it and all that. Here’s a fun thing though: ever thought about what Christmas might be like through the eyes of someone who only sees the commercial Hallowthangivimas trappings, but always heads across the Atlantic before mid December has come to a close?

I’ve really been learning how strange our Christmases must look to one whose frame of reference for the holiday is Italian, German, Austrian, and French (mostly Italian). In Ready or Not Salencia is staying in America for the Christmas holiday for the first time in her whole life. It’s the first time she’s seeing the things that she only actually knows from movies, television, and whatever gear up her friends’ families might engage in on the last stretch from Thanksgiving to New Year. Another first, ringing in a new year in the states, but one that’s pretty much universal for western society.

It’s a really great thing fiction. Reading it as well as writing; either way we find ourselves experiencing things, thinking things, discovering, learning, growing all because a little voice in our own or someone else started whispering little things, and then before long it has a name, and a story, and a following. Stories really are remarkably like the gods one meets delving into the fantastic Small Gods by Pratchett.

Anyhow, I wish you all bon nuit!
Love

Jaye

This Is What a Feminist Looks Like (reblogged)

This is just wonderfully said. Feminism really ought to BE about women having the right to be themselves, to be treated as equals, to make up their own minds.

It’s even better for how she speaks of her husband. Of rcognising the EQUAL part. Feminism isn’t about dominance. It’s about the elimination of it. The men do those things for which they are suited, the women their own and for those things not affected by gender then share and share alike.

Choices, equality, freedom, respect. Not whether or not one wears bra or corset, not always wearing pants, or any other nonsense. It’s the right to say I shan’t wear a bra because I don’t wish to, the freedom to wear no skirt ever because you hate them. THAT, my friends, is feminism.

Oh my, I must be tired. I’ve gone all preachy instead of hitting share. I’ll shut up and let you read the post now.

Love

Cinnamon&Sassafras

Several years ago, I was playing Apples to Apples. The adjective to match was “scary,” and the “judge,” a young woman majoring in mathematics, chose “feminists.” I said, “I’m a feminist, what’s scary about that?” Another player, also a woman, who was in her 50s and had spent a long time working as an engineer, said, “Are you wearing a bra?” as if to imply that wearing a bra makes one NOT actually a feminist (not that it matters, but I was. Wearing a bra, that is).

I wish I had had the presence of mind to respond to her as Caitlin Moran would: “What part of liberation for women is not for you? Is it the freedom to vote? The right not to be owned by the man that you marry? The campaign for equal pay? Vogue by Madonna? Jeans? Did all that stuff just get on your nerves?”…

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