iBooks Sale

81KX3TFsgwL._SL1500_For not real reason beyond “I can” I’ve put Love or Lust on sale for 100% off (that’s free for those who may need another cup of coffee before following maths) and Ready or Not is marked down to 99¢!  Just for today.  It ends some time tomorrow.

71jhJo-DxUL._SL1500_Other ebook stores?  No, not today anyway.  I might randomly work my way through all of them, and the sales may not be exactly the same on all (especially given some don’t allow the same sorts of sales options), but my Apple using fans have a treat this Sunday.  You’re welcome.

Why Apple first?  Possibly because I have a new Android phone (it was $20 and my Samsung flip was so old it wasn’t fully compatible with texting anymore so it seemed like a good idea at the time) and while I kind of like the hardware I want to slap whoever designed Android, so there’s possibly a subconscious impetus behind starting with Apple.  Or, I might be starting with A.  I don’t really know.  This was, frankly, a whim that came to me like 1minute ago while I was perusing Twitter.

Enjoy!

Happy holidays

81KX3TFsgwL._SL1500_I should have posted this sooner, but I’ve had a distracting week.  Some of it good, too much of it bad.

Regardless, Now & Forever is on sale for the entire month of December wherever it’s possible (which pretty much just means Not Nook, though some Amazon stores might not have marked it down properly either).71jhJo-DxUL._SL1500_

Regardless:  Where I could do so Love or Lust is FREE!  And Ready or Not is half off!

As always, this exclusively applies to the eBooks.  The way the print books are done gives me almost no promotional capacity myself.  Also, the books are sold at very little profit so promotions on the print edition would not go well.

 

The end is in sight!

Ready or Not (concept only)First off, my editor should be done with Ready or Not in the next 3 – 5 days.  As soon as I get it I’ll be setting up pre-order on iBooks and Smashwords (the only outlets that allow it) for about 1 – 2 weeks later (it takes a bit of time for Apple to process the upload, they run pretty thorough quality checks on the file to make sure it won’t make your iPad spontaneously combust or something) during which time I’ll give it one more read through and buff.

I’m truly sorry this has taken so long.  Sadly for various personal reasons (see spending a week in hospital and a month on narcotics, thereby unable to interact with my editor), various reasons related to my editor having this unfailing talent for getting terribly ill with a flu during the summer (normally, however, it’s closer to August so wasn’t strictly planned on), and the simply embarrassing number of errors in this book which slowed down the process (seriously, for Love or Lust she was able to get through nearly 2x as many pages in any given hour) it has just taken forever to edit.

This, like its predecessor, will be available in ebook and print from all the same retailers for us$3.99 for ebook and us$17.99 for print (various international pricing available proportioned based on the retail outlet in question).

Getting fed up with Amazon

Warning:  I’m highly annoyed, in a foul mood, and not much inclined to be remotely charitable to a certain major corporation just now.

Well, my 75% off sale is up and going. … except Amazon.

They were one of the first places I set the sale, but they haven’t seen fit to post the new price.

I contacted their support and, after an unprofessionally long wait (most others respond within hours if not minutes, Amazon typically is best measured in days) they replied … the price change page hadn’t loaded properly so a key step was missed. Lovely of then to finally say so this morning. Got it sorted, and it’s been almost 12hrs … still no change. Should I mention that the price hasn’t even dropped through automatic price matching yet?!

This is not my first issue with Amazon, and I imagine it will not be my last. Simply put, they can be decently professional to their consumers, to judge by anecdotes at work, if people need to return or exchange something, but in their inter-professional dealings they are, frankly, insulting. So much so that if they were not currently such a major bookseller that I sell more copies per month there than I do in all other estores combined in a quarter, I’d drop them.

They have the slowest response time when contacted for issues and their responses are less attentive to what was said. Their terms are among the worst in the industry. Their format is obtuse and needlessly complex; not to mention stiflingly proprietary. Their KDP site, while not horrible, is not so intuitive as others. Finally there is the treatment: you are a charity and potential customer, not a serious business interaction – you are inundated with offers for premium services you can buy and denied options afforded to larger publishing houses (pre-orders and certain options that Tor has without exclusivity that little ol’ me mayn’t have).

Why say all of this? Information is a powerful tool. Most people perceive Amazon and Kindle in a very positive light. Certainly they are not Satan manifest, but neither are they the greatest company on Earth.

For those who prefer companies that treat everyone interacting with them with equal respect and professionalism I recommend Apple, Kobo, and the group behind All Romance eBooks (all of whom carry my book).

I’m not saying to cease using Amazon nor to trash your Kindle … but if you are already feeling a bit dissatisfied, perhaps this is one more reason to look at that iPad or similar you’ve been eyeing.

iBooks freebie

Kindle may or may not join this game, I don’t control that so can’t say.

In my effort to test if Apple’s support had corrected my issue setting a sale for my book I have set a 99¢ price that is good through today.  Tomorrow the book will be free for a couple of days.  This is only on iBooks (and anyone else who elects to price match them).>

Please enjoy.

P.S.  this lovely little button below will take you directly to the book on iBooks — and soon, iTunes.

ibooks-button-graphic

Oh! IBooks is live!

I just learnt that Love or Lust has been live on iBooks for the past ten hours!

Here’s a link

I’m very happy. IBooks is my favourite ebook platform and store.

A decision, of sorts, and not reached lightly

After much thought, and thanks to some very thought provoking conversation — both in the commentary, as well as among friends — I’ve reached a decision, kind of.

I am going to look carefully at the agents I’ve discovered through http://querytracker.com.  I owe myself the investigation of those agencies, at least, as well as owing any of you excited about seeing these books out — simply put, I’d rather you had more ways to get them, unless I get an overwhelming response that you’d rather have them now from one e-store than a year from now in 1000 stores physical and online alike.

I’m being highly selective.  I’m carefully considering the agent‘s “what I accept” list juxtaposed to her list of titles and clients to be sure that what they think they mean is what I think they mean.  Also, there’s the inescapable fact that all too many agents seem to say “oh, it’s most important that it’s a great story!” but their client list indicates they’re looking long and hard for “the next best way to cash in on the latest hit trends”.  I don’t believe any of the agents I queried before are as bad as that, or bad at all, but such agents exist and I intend to skip them over.  I’m also being selective on another front:  I’m going to try to see how well known, how well selling their client list is.  I’m not looking for an all-star cast, who’s who of the NY Times Best Sellers list, but if she’s got 50 titles under her belt and they’re every one of them the picture of obscurity … I can do obscurity tomorrow and keep the 15% commission for myself!

If I find a promising agent, I shall query further.

I reached this decision after much agonising and arguing with myself and others.  I was finally won over on this ground:  I want this book to be accessible.  If I can reach more hand, more eyes, and more minds with an agent and a publisher, then I should like to have an agent and publisher.  If I could convince myself, or if I could hear a compelling argument from another, regarding that visibility from self-published I’m certainly open to it and would self publish the story June first.  I will say I don’t believe it matters if I’m on a Barnes & Noble shelf or exclusively with Amazon, iBooks only or in every ebook seller offered as part of Smashwords‘ premium catalogue.  I mean, the whole word of mouth matter.  Suffice to say, with an agent and a publisher I’ve got more mouths saying more words on my behalf and any words I can pass on my own.

I do and don’t want to do this.  Frankly I hate writing query letters.  It’s tedious, it’s also terribly difficult — I’ve no self-esteem where they’re concerned.  I also hate waiting; I’ve got a story, and I’m anxious to share it.  I still may self-publish.  For one, I may decide against querying any more agents, if that’s the case … I’m giving myself until 31 May to have queried even 1 agent.  If I have, then the publish date will move to either 1 September, or the “hear back by” date of the last agent submitted a query — whichever is longest.  I’m going to give them time to make up their minds before I make up mine.

I’m sorry.  I know if I said:  if it’s not picked up by 20 May it’ll be published 1 June.  Still, there also hasn’t been any voices crying out in disappointment and sorry “No!  Jaye, please, stop this horrible internal contention and give us the rest of your story!”  I suppose that means I’m not really disappointing anyone but myself by changing my mind.

In the mean time, I want to try something different for Ready or Not.  I’d like to select some … in fanfiction they’re often called “Beta-readers” but I seem to recall there’s a niftier and classier term for it that most fiction writers use, but it escapes me right now.  I’d like to select 3 people to be my guinea pigs for book 2.  Given that the series is written such that one book flows to the next to some degree a selected reader will get a free ebook copy of Love or Lust to give them some reference and establishment.

How to be selected?  Nominate yourself.  The means to do this?

  1. Comment on this post
  2. Go here and send me
    1. Your name
    2. Your email
    3. Your file preference — ePUB, MOBI, PDF
    4. Your three favourite scenes/lines/parts of the sample chapters and what it is you liked about it (if it just tickled you or some other thing that boils to — I don’t know, I just do — fine, you just do.  Say so).
    5. Why?  Just answer whatever you think I mean by asking it.
  3. Wait until 11am EDT the 2nd of June for me to announce the ones selected.

Further Opinions of eBook services

So far, both as reader and as writer I must say I prefer iBooks.

I finally got Google to work.  First off, there’s a sign up you must do, but the instructions are arranged so that it looks like what you do is go to http://books.google.com/partner, and the sign up using a link found there.  No.

Okay, there’s a sign up link below that link in the FAQ that is where you need to start — yes, you read that right.  Where one starts is with the second link in the instructions (sounds stupid yet?).  This takes you to a signup sheet where you fill in your info.  Now, important note:  If you’ve more than one gmail account (as many people do) be sure you’re currently signed into the right one!  It’ll take you to a Google accounts login, but it’s already too late, if it’s got a username filled in for you and is only prompting you for the password?  Yeah, that’s the one it used.

The interface is obtuse.  Most things are pretty straightforward, admittedly, but a few things aren’t.  For example:  say you write and self publish some work under pseudonym (something more than a few self-published folk do, especially ones who write multiple genres), you have to set up imprints.  And it has very poor help on what some of the odder of the fields in that screen mean.

I’m still toying with it, to be fair, but I must say it’s no real surprise to me why so many of the friends I know who have AndroidOS devices use the Kobo, Nook, or Amazon apps for ebooks instead of Google Play.  I wasn’t terribly impressed with the reader app, and have long since deleted it from my iPad, and never bothered with it on my desktop.

I’m also hitting a sticking point with Nook.  I contacted B&N’s PubIt help regarding problems I’m having with their service recognising an ISBN on a book I was trying to manage, and for another where the ISBN was recognised to display that or at least have it linked in some fashion for searches … the response was a rather unhelpful thing saying that all books get a 12-digit BNID and are identified by that.  Which is a total lie.  Example: Discount Armageddon.

True, I doubt that was put up via PubIt.  So, it’s possibly true of PubIt titles.  Which points to yet another place where an eBook seller is treating independent authors, publishers, etc. like they’re second class or worse.  That ISBN is important for people who might be looking for the ebook for their favourite device and lots of services for linking to things (e.g. Goodreads.com) use ISBN based APIs for this.

I’ll keep experimenting.  And if my own work goes up via PubIt I’ve some theories on what’s going on that I can play around with.  Still, so far, Nook’s a pretty sharp platform from a reader’s point of view, less impressed now with PubIt from a writer/publisher point of view (and less impressed with their customer support, even Amazon was never that unhelpful).

So to put it another way I have just decided that my first rank goes to Apple, second to Kobo & DriveThru Fiction, third goes to Nook & Smashwords, and dead last goes to Google and Amazon.

At this point I’m starting to wonder, rather much, if I shan’t take up the agent I submitted to if she should respond positively to my books (so far still waiting with bated breath and fingers crossed) in order to save myself money on aspirin.  Self -epublishing isn’t as hard as most people make it out to be, but that doesn’t mean it isn’t work and isn’t annoying.  Still, it’ll all come down to how insulting the terms would be if I went traditional publishing house to decide if I’ll be putting Now & Forever out myself or letting someone else do it.

My opinions of eBook services

There are, these days, nearly as many places online to buy eBooks as there are ads for cheap genital enhancements.  Most are fly-by-night operations; here at breakfast and gone by brunch.  In all there are only a few: Amazon (Kindle), Barnes & Noble (Nook), and Apple (iBooks). Honourable mentions might go to Kobo, Smashwords, and Google Play Books.

On these I’d like to share my experience in dealing with them.

First, the good.  All are free.  All but Google Play Books is perfectly easy to use.  Google loses here because it’s been months and their sign up function to access the seller area to upload your book has been down (in fact I’ve just checked it and it still doesn’t work).

The bad.  Well, Google’s afore mentioned brokenness.  Smashwords’ meatgrinder is a nightmare as are other aspects of their required formatting.  And all but Apple treat you as something lesser than the big publishers (well, I suppose Smashwords, too, is an exception … but it’s hard to say so given certain aspects of their format guidelines).

That’s the point, in the end. All but Apple’s system feels amateurish, even a bit insulting in spots.  A trait I can, sincerely, overlook if I had full option services, but I don’t.

What options?

Well, how about the ability to arrange a pre-order?  Apple, yes.  The others?  No.

Promo codes for give aways?  Apple and Smashwords, yes, the others?  Not a chance.  Now to be fair, a not even big enough for honourable mention, DriveThruFiction.com, is also good for this.  Admittedly, Apple doesn’t give discount codes, it’s a free copy code, but let’s face it … when’re you going to want to give a limited audience sale versus a limited audience freebee?  If you want the book to be half price for a little while why not just lower the price for a few days/weeks?  Still, discount codes exist in some form with these.

Priority professional response to issues: Apple shines here. It took less than three hours to get a reply to a message about a technical issue I was having and it was detailed, and carefully written in the same way you might expect them to respond to the representative for Penguin Books.  Nook and Kobo were helpful, but less prompt.  Smashwords’ support I’ve no basis for sample.  Google is dead last, I’ve never heard back about the login issue and I’ve contacted them more than once.  Amazon … they’re not terribly prompt, except when they are, and while their replies are courteous and clear, they do not always strike me as having carefully read the message to which they’re replying nor do I feel very pleased with some of the rather severely dated shortcomings of their eStore (did you know Amazon doesn’t have a simple method to receive or even know about an update to an eBook you buy from them?  There isn’t.  You have to contact them and request the update be made available for download, then delete the item from your app/device, then redownload it.  Versus everyone else who you can just redownload from to get the update, and the other big boys having in device/app update alert).

All-in-all I find Apple to be the best, though once you get past its very old school look (and ignore that you could ask twenty people in a row and likely not a one will have ever heard of the place) DriveThru is pretty great too.

Nook’s PubIt is next best, it has far better preview functionality than Kobo and is rather more intuitive.

Kobo ranks third, it’s awkward to get to the WritingLife service which is their indie/self publishing service, and while not unintuitive is not exactly intuitive either. A mark in its favour is the ability to preschedule your publication, sadly this is an internal autoprocess and in no way a pre-order option.

Next is Smashwords and Amazon, both of whom are usable and have some things to recommend them, but I find them a bit … arrogant?  KDP has a lot of quirky loopholes, like the 35% vs. 70% royalty option and the radical way they differ if/when Amazon does a price match, the unavailability of the 70% at certain prices (for a feel of how really bizarre this is, all others are 60, 65 or 70% depending the store regardless of price).  I also really find the Kindle and its .MOBI to be anything but impressive.  Smashwords has a rather amateur feel, and annoyingly many arbitrary, utterly unnecessary requirements to get the book past their file quality, and admittedly unnecessary thing if you only want to use them and not their premium catalogue option (they act as agent and put your book on other services like iBooks) but it still gives you the error messages.  There’s also the fact that your book is made instantly available upon upload, which doesn’t seem a problem at first … until you realise you’ve selected the wrong file by mistake.  I also think they push their premium catalogue to an unseemly extent which gives them a cut of your sales though OTHER online book sellers, all of whom you could have set up with free and gotten full royalty or.

Last is Google.  I’ve said all I can about them.  I can’t seem to actually use them, and so they quite simply land at the bottom of the pile.

Let there be samples!

Cover Official

Well, there’s a sample up for Love or Lust now.

It’s only the first two chapters, and that’s all I intend to have up, for the moment, but I might elect to add the third chapter too.

There is no downloadable ePUB or PDF sample.  That’s too much bother and will be left up to the various eBook retailers to supply.  The launch availability is currently iBooks, Kindle, Nook, Kobo, Smashwords, Amazon (print), and Createspace.  I’m considering putting up on a little place called DriveThru Fiction as well.  It looks easy enough to use, and I won’t say no to a venue that costs nothing to publish through since all it can mean is more sales.  If you’ve a favourite eBookstore you don’t see listed feel free to contact me or leave a comment naming it.

Ready or Not (concept only)I’ve also decided the cover for Ready or Not.  Mostly because that gave me something to do that felt constructive while I tried to decide what happens next in the story.  I do believe it’s about done as the girls are having an Easter break kickoff party in the part I’m currently working on.  Then it’s off to editing, working out a less placeholdery blurb, and then to the editor (yes, I edit things BEFORE I give them to my editor.  I happen to like the woman and would feel rather bad if she wound up in an asylum by any action of my own).

I’m starting to feel a little better about Book 2, lately.  I’m starting to think that the less cohesive, more anecdotal form it has taken so far might make it a good transitional tale.  Something to give a better feel for the characters and their normal lives.  In short, rather than one big slice of their life looked at from edge to edge as Book 1 is, Book 2 is more like several little slices and glimpses of time.  I don’t know.  I’ll get it typed, give it a few read throughs, then decide if it’s a mess or not.

Suffice to say I’m off my writer’s block and things are moving along well.

P.S.  Those paying attention will notice that Love or Lust‘s cover says “Jaye Edgecliff” while Ready or Not‘s says “Jaye Em Edgecliff”, that’s because the latter is what I’d prefer, but the former is what I have to do because of a quirk to the cover layout and Book 1 has a finalised cover versus Book 2 which has a cover I’m still playing with.