What’s so great about Hemmingway?

Ed Greenwood

Ed Greenwood (Photo credit: Wikipedia)

Not just Hemmingway, but Jane Austin, Steinbeck, Stephen King

I’m not saying they’re awful, though I can’t stand three sentences in a row by a single one of them. I simply ask why are they sainted in the annals of recent fiction and literature? Certainly why do so many blogs and forums dispensing cheap writing advice swear by them as such deities of the written word?

Why is not the advice to first ask who the person likes to read the best and say, “Read that carefully and think about the things the author does that you do and don’t like. After, try to borrow and unashamedly steal those techniques you love and consider how you might do differently those which you loathed.”

How boring would the world be if all writers were determined to be the next of only a small pool if very similar writers?! (Rather dry ones, in my opinion) Would the world read even less than already it tends to do?

I do believe some works do deserve their deification. The Discworld series by Pratchett is undeniably brilliant and holds the attentions and imaginations of scholars and huddled masses alike; The Hobbit, Alice in Wonderland, and Wizard of Oz too are inarguably timeless classics, along with the adventures of our good bear who “lives under the name ‘Sanders’.”

Still I would not presume to tell anyone they ought to write more like Tolkien, Milne, or Carroll. For one they’re ill suited to a suspense-horror.

I suppose it’s the idea that King is a famous best selling author so must know something … please note, so is Seanan McGuire, J K Rowling, and Stephanie Meyer. Rowling, outsold and outsells the others in that list combined, yet you’re supposed to not write like her … so I’ve no idea how King is a god.

The others are all classified Literary Fiction, which is somehow superior to all other sorts (Literature majors who try to write the stuff say so, and they’re experts and should know, right?) despite being that dry boring stuff we’re made to read in Literature classes which probably turned rather a lot of people off reading altogether.

To each her own personal gods of the pen, be it Mercedes Lackey or Lawrence Block, Ed Greenwood or Danielle Steel, Dean Koontz or Louisa Mae Alcott … when you write study the master who you so loved you wanted to write, carry on that writer’s legacy. The acclaimed saints of writing need no undue worship unless you happen to favour their styles.

P.S. Is it me, or is the list of people you’re supposed to strive to write like nearly always Americans, primarily from around the Depression?  Never minding the rather selective era, but … why are we excluding other English speaking authors … or non-English (they don’t say English or American lit, just lit — I’m fair certain a Frenchman would have something to say about the superiority of, say, Voltaire to any six Americans you care to pick.

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