Decisions, decisions …

So the final editing of Love or Lust is well under way.  It probably won’t be done by Valentine’s Day, but it still might.  It is moving at a fair clip, but that doesn’t change that there’s about 140k words and 400-ish pages to get  through.  Too, I have to make a final read through just to make sure that the final buff and polish is done, so that date will likely be missed and was never a very resounding likelihood anyway.

That’s got me to thinking about a few things.

First off, section separators:  Also known as fleurons (and an hundred other things), they do give a certain flair to the page.  They’re also a bloody wretch to figure out how to do.  With Dingbats type fonts they’re a breeze in the PDF, but they start to become an unholy nightmare in the universe of the ePUB and Kindle editions.  Not impossible, mind, but nightmare.  An alternative is to just use a little graphic.  Dear God save me from things that ought to be black on transparent alpha layer but instead are scans complete with random not exactly white artefacts in the white bits!!  Photoshop and I had a lovely row about that.  I did make one.  It was kind of pretty.  Well, that is, until I tried to put it on the page.  That didn’t go too well. Still … I’d appreciate feedback on that.

If you click on the word fleurons above it’ll take you to an example image.  The alternative is good old fashioned asterisks.

The second bit of thinking was just a bit of fun inspired by how another author did a little pre-release promotion.  Seanan McGuire did a Discount Armageddon ABCs thing that seemed kind of cute.  The more I think about it the less I want to do it.  So I probably won’t.  But just in case I do lose my mind and decide to go with this little touch of lunacy … well … you’ve been warned.

Solidly decided things:

  • Publishing, I don’t care if you use a publisher or do it yourself, is a good way to go completely mad with indecision, anxiety, self-doubt, and several other things that suddenly have escaped my vocabulary and are lost in the woods some place.
  • I love my cover art.  I’m, torn between ideas regarding it though.  I’m very much thinking to keep that layout and just change the colour scheme for each book, and then (naturally) the image.  The question is, do I keep finding girl/girl cover art (something I can absolutely do for Ready or Not but is giving me a touch of trouble for later books), or just keep finding pretty images (e.g. the 4th book maybe having a ballet slipper on it or some such).  Ah well, I’m not even done with the second book yet and feel like it needs heavy editing so I’ve plenty of time to consider and reconsider this.
  • The print edition will be somewhere in the neighbourhood of us$10.  Sadly, this is due entirely to length.  It costs more than the retail price of a novel half this size just to print the bloody things.  Which gives me a new found respect for some of the newest Terry Pratchett novels I’ve picked up being about us$10, but doesn’t explain some places charging that much for things like Light Fantastic or Wyrd Sisters!  The eBook, though, will likely be closer to us$4 or us$5.  Compelling enough arguments could see it as low as us$3 (just use the comments or the contact link), but current ‘wisdom’ says the higher price will attract more sales.  We’ll see.

Page numbers.   I’ve just realised I’ve no idea how I should like to do the page numbers.  Centered and unadorned at the bottom of the page?  Unadorned at the bottom corner of the page (obviously this thought is for the print edition only)?  Unadorned at the top?  If decorated, with tildes or a fleuron/dingbat?  Well, don’t ever let anyone tell you self-publishing is easy, or that it’s the lazy way out or any other such nonsense.  That said, going through a publisher is just as bad or worse — you may not have to decide a lot of this stuff, but then you have to worry that your first edition might have covers in “50 shades of mud” and “kept them out of the shops“, among too many other less amusing anecdotes by far too many other authors to mention.

I’ll always argue with someone who says writing is ‘hard work’ — I take issue with the work part.  The hard … that depends on perspective, writing is challenging in terms of telling a good story well and not losing your mind in the process.  Work it is not.  Publishing, on the other hand, I will doubt the sanity of anyone who claims is anything but work and be suspicious of anyone who claims it to be easy.

In other news Puppy Bowl is tomorrow!!  I’ll, alas, be missing it because a) I’ll be at work and b) I don’t actually have any TV service that doesn’t come via my DVD player.

Neil Gaiman’s 8 Rules

Gaiman’s 8 Rules

These, by and large, are really common sense,. But really that’s why I absolutely love reading Neil Gaiman. Not his books, though several of his are on my to-read list, the only one I’ve managed to get around to yet is Good Omens (very awesome, by the way), I mean him.

Really it does all boil down to: If you want to write, have a story or, better yet, have characters and see what story they present you and then try to keep up.

Write! You’ll never get your story told if you put it off.

Once writing, keep at it. I add the corollary of get the idea down, if not now, ASAP! You may truly not be able to get it down right as it happens. Maybe you’re making love, or driving, or cooking, or skydiving. Inspiration hits at inconvenient moments, but as soon as you can spare a moment get it down. Don’t wait. If you wait you’ll forget the tiny key that made it brilliant and you’ll be left with something flat and lukewarm instead of the vivid fizz that might have made that scene one of the greatest of all time.

Finish. See it through to the end. Even if you have to backtrack several times, even start from the beginning again and again. See it through. If you believe in the story tell it.

Write your story. Once upon a time a brilliant story would be published by someone. These days the major publishers are a bit hung up about genre and marketing and other things, but the beauty of today is you can put it out yourself or find a smaller publisher who is looking for brilliance, not trends. Jo Rowling, Stephen King, and Terry Pratchett should write those stories, you shouldn’t, and any agent or editor who tries to convince you to twist your story into that of someone else, fire them. Walk away and find another.

I love what he says too about having friends read it and how to take their advice. It’s quite true too. In one story I wrote, one friend simply asked questions about a scene – it was a scifi tale with odd paper, but she didn’t grok it. I looked at the scene and realised I knew what it meant, and some folks who were fans of certain SF, the newest example of which is Firefly did too, but to everyone else I had to explain the scene for them to get it. I rewrote it. More brilliantly than I’d had it. Another friend, though, pointed out specific passages and started suggesting changes. His suggestions hurt the narrative, broke the flow, and glitched the carefully wrought illusion of reality to bring the reader’s mind back to the fact they’re merely taking in words on a page. He was, in short, horribly wrong.

No matter if you read his work I do suggest one make a point to read his thoughts and anecdotes as much as you can. He’s almost always fun, and so often wise and … bloody brilliant. Take these rules for writing. Now extrapolate them. Make them apply to other things in life. See the wisdom yet?

Prolificness transpires

So, I’ve been trying to decide on a series for when Now & Forever is over (it’s to be four books, by the way).

I knew I wanted to do a teen, high school super heroes thing. Hadn’t been able to work it out beyond that, though. Tonight the inspiration fairy paid me a visit and gave me a lovely idea in exchange for just a little more of my sanity (standard market rates, of course, she does have sales goals to meet after all).

I introduce you, therefore, to Færie Patrol, a working title for the series. It might stick around, I’m not sure. It has something of a ring to it, and conveys the fact that this series is anything but serious.

All I know for certain is the cast list, and some quirks to reality, and the gist of what they do.

There’s a page up there under Series for it.

To sum up what you’ll find there is a vampress dhampir stuck forever at a little over fifteen for the past three hundred years, and will be so for the rest of her unlife – not that she much minds. Then there’s the half-nymph who’d rather have a normal life, except for the whole easy access to fairy thing, since that’s where the best parties tend to be. A chivalrous ghost who hasn’t entirely caught up with the sixteenth century (and this is set in the twenty-first century). A mentalist teen male gayer than a tree full of monkeys on nitrous oxide (thank you Neil Gaiman and Terry Pratchett for that turn of phrase). The sex crazed, wine guzzling, swashbuckling sprite. And the Romani witch (or Æthyrial Engineer according to the business cards she got made up recently).

This is meant to be a completely irreverent romp through fighting monsters, finding romance, and remembering to do math homework. Legends and myths will be used, abused, twisted, and played with, but mostly used as is (fairytales are mostly fun enough as they are). Magic will abound. Irreverence to many things, and a three inch tall horny drunken sot with a penchant for the silver screen.

I can’t wait to see what happens, I hope you’ll think so too; though, admittedly, I do rather hope you can wait. I’ve kind of got enough in front of me and haven’t done more than jot down thoughts and character snapshots.