iBooks Sale

81KX3TFsgwL._SL1500_For not real reason beyond “I can” I’ve put Love or Lust on sale for 100% off (that’s free for those who may need another cup of coffee before following maths) and Ready or Not is marked down to 99¢!  Just for today.  It ends some time tomorrow.

71jhJo-DxUL._SL1500_Other ebook stores?  No, not today anyway.  I might randomly work my way through all of them, and the sales may not be exactly the same on all (especially given some don’t allow the same sorts of sales options), but my Apple using fans have a treat this Sunday.  You’re welcome.

Why Apple first?  Possibly because I have a new Android phone (it was $20 and my Samsung flip was so old it wasn’t fully compatible with texting anymore so it seemed like a good idea at the time) and while I kind of like the hardware I want to slap whoever designed Android, so there’s possibly a subconscious impetus behind starting with Apple.  Or, I might be starting with A.  I don’t really know.  This was, frankly, a whim that came to me like 1minute ago while I was perusing Twitter.

Enjoy!

RIP Robin Williams

American comedian Robin Williams at "Stan...
American comedian Robin Williams at “Stand Up for Heroes,” a comedy and music benefit organized by the Bob Woodruff Family Fund to raise money for injured U.S. servicemen. (Photo credit: Wikipedia)

So, by now I’m sure everyone’s heard the news:  The great Robin Williams is dead, having committed suicide yesterday.

The world is a far lesser place without the laughter and joy he has brought to so very many souls in his life.

Depression is no joke.  It can blind one to just how much you mean to others and leaves you feeling worthless even when you might be one of the most precious people of an age.  True, a lot of us never knew Robin well, but what if he knew how his death would affect the world … would he still have?  Maybe, it’s hard to say.  We don’t know what in his life was such a tragedy to him – the sad thing about depression is, there doesn’t even have to be.

Still, perhaps he’ll be making the world a better place even now as he brings laughter and joy to the gods and heavens instead.

If you’re feeling a bit down yourself, find someone to talk to.  You may just find there’s something to live for.  Never underestimate the restorative powers of a pet, either.

For those in the US try this:  http://www.suicide.org/suicide-hotlines.html

For those in other countries, I’m sorry, but Google was being rather Amero-centric and its typical unhelpful self.  Please, put the revolver or sleeping pills down and take a few seconds to find your equivocal, or go find a priest, any priest, or just hold a purring cat … something.

Sharing some inspired images

Yes, I know, this is more of a Facebook thing.  Deal is, I really hate Facebook, so I visit as little as I can.  Humour me, please?  (And before anyone suggests I could’ve simply twitted these, please bear in mind that it took me over 5 minutes to find the “Post new twit” button, I’m not sure I’m up to the challenge of finding the “Post images” button on Twitter)

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Could someone, please, explain Pinterest to me?!

Not really, so much, the how to use it.  That, after several attempts I almost think I sort of might eventually understand on my own.  Rather, why Pinterest?!

What is the fascination with that site?

Pretty pictures?  I can sort of dig that.  I like looking at pretty pictures.  I’ve spent many an hour on Google Image Search, Creative Commons Search, and similar.  What’s so special about Pinterest?

Tumblr is a bit easier to make sense of — which is a scary thing to say:  Tumblr isn’t the most intuitive site I’ve ever used.

I just made another attempt to explore Pinterest and try to make some sort of sense of it.  Some effort to understand the appeal, the purpose, the meaning of this site.  I’ve failed.  Therefore, I ask you, my readers.  Is there some purpose in Pinterest’s existence?

Twitter I can almost fathom, I mean it’s a public IM.  Why a public IM?  No clue, but … you know … some people juggle geese.

Facebook sort of makes sense, and given some of its design eccentricities aren’t known to many of its users it’s not too hard to dig.  On paper Facebook I can see how it’d appeal to some people.  My main beef with it is almost entirely how it’s coded, laid out, and designed.

MySpace … yeah, okay, who cares, right?

But not Pinterest.  No, this one is an enigma.

Baker’s dozen

Thirteen agents.

Thank god for computers and the ability to copy and paste blocks of repreated text.

13 isn’t many, really, and it brings me up to 18 total queries.  Not a lot, but a fairer sampling.  For my eyes’ sakes (some of those site were not pleasant to look at) I’m done for now.  Might grab another few tomorrow or Wednesday.

Still, 13 more agents … just because Google suddenly decided to be co operative.  Go figure.

When it rains, it pours …

My God! I suddenly have a ridiculous pile of agents and agencies that look promising.

I will spend this week sending out queries. I do still plan to put a deadline to be accepted or self publish. Love or Lust will either be on the hands of an agent, being shopped to publishers, or it will be self published by the start of June.

I wish to give the agencies a reasonable time with which to respond, but I also don’t wish to sit idly on a completed story. I’m sure there are plausibly hundreds of relevant agents out there, if I can but find their names and sites. I will play that game to a point. When I could only find two promising looking agents, I didn’t like giving up so I looked – cautiously as I don’t need an agent, but I looked. I found a whopping three more. Today Google’s results were utterly different! Two pages of results I’d never found before before I decided to stop and get ready for bed! These were the top matches!

So I will continue to selectively query, but to a much deeper and broader pool (a wise thing, I should think, as it give the agent idea a far fairer chance). After this week, though, no more searching. This new pool of results gives me a more comfortably sized list, and looking much longer risks pushing my June deadline in order to give the agents fair time to respond.

Good night.
Wish me luck.

Agents

Suddenly Google is being more helpful.  I’ve gone from two solid sounding agents and a few flaky looking ones none of whom looked like they were remotely relevant to my search except to be literary agents to several agencies.

I’m not querying them all, I’m still being selective by criterion I’m sure I couldn’t explain since I’m not fully aware — call it Vibes and move on — but I am querying several.  I shan’t bother naming them all, but I would like to list some of the more interesting and promising ones whether I’ve queried them or not just to (hopefully) help others.

By all means, if you’d like to suggest an agent or agency for me to query leave a comment or shoot me a message.

A small list, but there you are.  There actually was another agency I was trying to find, I stumbled on them once upon a time looking for a SF agent for something and now I can’t find them.  Pity.

Further Opinions of eBook services

So far, both as reader and as writer I must say I prefer iBooks.

I finally got Google to work.  First off, there’s a sign up you must do, but the instructions are arranged so that it looks like what you do is go to http://books.google.com/partner, and the sign up using a link found there.  No.

Okay, there’s a sign up link below that link in the FAQ that is where you need to start — yes, you read that right.  Where one starts is with the second link in the instructions (sounds stupid yet?).  This takes you to a signup sheet where you fill in your info.  Now, important note:  If you’ve more than one gmail account (as many people do) be sure you’re currently signed into the right one!  It’ll take you to a Google accounts login, but it’s already too late, if it’s got a username filled in for you and is only prompting you for the password?  Yeah, that’s the one it used.

The interface is obtuse.  Most things are pretty straightforward, admittedly, but a few things aren’t.  For example:  say you write and self publish some work under pseudonym (something more than a few self-published folk do, especially ones who write multiple genres), you have to set up imprints.  And it has very poor help on what some of the odder of the fields in that screen mean.

I’m still toying with it, to be fair, but I must say it’s no real surprise to me why so many of the friends I know who have AndroidOS devices use the Kobo, Nook, or Amazon apps for ebooks instead of Google Play.  I wasn’t terribly impressed with the reader app, and have long since deleted it from my iPad, and never bothered with it on my desktop.

I’m also hitting a sticking point with Nook.  I contacted B&N’s PubIt help regarding problems I’m having with their service recognising an ISBN on a book I was trying to manage, and for another where the ISBN was recognised to display that or at least have it linked in some fashion for searches … the response was a rather unhelpful thing saying that all books get a 12-digit BNID and are identified by that.  Which is a total lie.  Example: Discount Armageddon.

True, I doubt that was put up via PubIt.  So, it’s possibly true of PubIt titles.  Which points to yet another place where an eBook seller is treating independent authors, publishers, etc. like they’re second class or worse.  That ISBN is important for people who might be looking for the ebook for their favourite device and lots of services for linking to things (e.g. Goodreads.com) use ISBN based APIs for this.

I’ll keep experimenting.  And if my own work goes up via PubIt I’ve some theories on what’s going on that I can play around with.  Still, so far, Nook’s a pretty sharp platform from a reader’s point of view, less impressed now with PubIt from a writer/publisher point of view (and less impressed with their customer support, even Amazon was never that unhelpful).

So to put it another way I have just decided that my first rank goes to Apple, second to Kobo & DriveThru Fiction, third goes to Nook & Smashwords, and dead last goes to Google and Amazon.

At this point I’m starting to wonder, rather much, if I shan’t take up the agent I submitted to if she should respond positively to my books (so far still waiting with bated breath and fingers crossed) in order to save myself money on aspirin.  Self -epublishing isn’t as hard as most people make it out to be, but that doesn’t mean it isn’t work and isn’t annoying.  Still, it’ll all come down to how insulting the terms would be if I went traditional publishing house to decide if I’ll be putting Now & Forever out myself or letting someone else do it.

My opinions of eBook services

There are, these days, nearly as many places online to buy eBooks as there are ads for cheap genital enhancements.  Most are fly-by-night operations; here at breakfast and gone by brunch.  In all there are only a few: Amazon (Kindle), Barnes & Noble (Nook), and Apple (iBooks). Honourable mentions might go to Kobo, Smashwords, and Google Play Books.

On these I’d like to share my experience in dealing with them.

First, the good.  All are free.  All but Google Play Books is perfectly easy to use.  Google loses here because it’s been months and their sign up function to access the seller area to upload your book has been down (in fact I’ve just checked it and it still doesn’t work).

The bad.  Well, Google’s afore mentioned brokenness.  Smashwords’ meatgrinder is a nightmare as are other aspects of their required formatting.  And all but Apple treat you as something lesser than the big publishers (well, I suppose Smashwords, too, is an exception … but it’s hard to say so given certain aspects of their format guidelines).

That’s the point, in the end. All but Apple’s system feels amateurish, even a bit insulting in spots.  A trait I can, sincerely, overlook if I had full option services, but I don’t.

What options?

Well, how about the ability to arrange a pre-order?  Apple, yes.  The others?  No.

Promo codes for give aways?  Apple and Smashwords, yes, the others?  Not a chance.  Now to be fair, a not even big enough for honourable mention, DriveThruFiction.com, is also good for this.  Admittedly, Apple doesn’t give discount codes, it’s a free copy code, but let’s face it … when’re you going to want to give a limited audience sale versus a limited audience freebee?  If you want the book to be half price for a little while why not just lower the price for a few days/weeks?  Still, discount codes exist in some form with these.

Priority professional response to issues: Apple shines here. It took less than three hours to get a reply to a message about a technical issue I was having and it was detailed, and carefully written in the same way you might expect them to respond to the representative for Penguin Books.  Nook and Kobo were helpful, but less prompt.  Smashwords’ support I’ve no basis for sample.  Google is dead last, I’ve never heard back about the login issue and I’ve contacted them more than once.  Amazon … they’re not terribly prompt, except when they are, and while their replies are courteous and clear, they do not always strike me as having carefully read the message to which they’re replying nor do I feel very pleased with some of the rather severely dated shortcomings of their eStore (did you know Amazon doesn’t have a simple method to receive or even know about an update to an eBook you buy from them?  There isn’t.  You have to contact them and request the update be made available for download, then delete the item from your app/device, then redownload it.  Versus everyone else who you can just redownload from to get the update, and the other big boys having in device/app update alert).

All-in-all I find Apple to be the best, though once you get past its very old school look (and ignore that you could ask twenty people in a row and likely not a one will have ever heard of the place) DriveThru is pretty great too.

Nook’s PubIt is next best, it has far better preview functionality than Kobo and is rather more intuitive.

Kobo ranks third, it’s awkward to get to the WritingLife service which is their indie/self publishing service, and while not unintuitive is not exactly intuitive either. A mark in its favour is the ability to preschedule your publication, sadly this is an internal autoprocess and in no way a pre-order option.

Next is Smashwords and Amazon, both of whom are usable and have some things to recommend them, but I find them a bit … arrogant?  KDP has a lot of quirky loopholes, like the 35% vs. 70% royalty option and the radical way they differ if/when Amazon does a price match, the unavailability of the 70% at certain prices (for a feel of how really bizarre this is, all others are 60, 65 or 70% depending the store regardless of price).  I also really find the Kindle and its .MOBI to be anything but impressive.  Smashwords has a rather amateur feel, and annoyingly many arbitrary, utterly unnecessary requirements to get the book past their file quality, and admittedly unnecessary thing if you only want to use them and not their premium catalogue option (they act as agent and put your book on other services like iBooks) but it still gives you the error messages.  There’s also the fact that your book is made instantly available upon upload, which doesn’t seem a problem at first … until you realise you’ve selected the wrong file by mistake.  I also think they push their premium catalogue to an unseemly extent which gives them a cut of your sales though OTHER online book sellers, all of whom you could have set up with free and gotten full royalty or.

Last is Google.  I’ve said all I can about them.  I can’t seem to actually use them, and so they quite simply land at the bottom of the pile.