Happy Mothers’ Day!!

Česky: Matka a dítě. עברית: אם ובנה, 2007. Sve...

I know it’s not Mothers’ Day all over the world.  Sue me, I’m in the U.S. and I didn’t even realise it was this weekend here until Friday leaving work, okay?

Anyway, Love or Lust is 100% off anywhere I could set it.  Ready or Not is 50% off in all the same places.  Oh, did I mention this sale is going to run all week?

As usual I’ve too little practical control over Nook and Kindle pricing.  Amazon will probably eventually price match me, but I can’t say when.  Kindles and Nooks can read the files you’d get from All Romance eBooks, so I recommend users of those devices consider that source.

I know, a Lesbian Teen Romance, what kind of Mother’s Day gift is that?

I don’t know.  I suppose I was thinking about all of those lesbian mothers out there who in the past year have seen their lives validated and vindicated somewhat in … is it 38 states, plus DC and Puerto Rico now?  Some people prefer YA/Teen fiction; I mean some of the best new books I’ve read in the past decade was the Harry Potter series.  Maybe it could be a way for some of my lesbian/bi female readers to prime their mother(s) for letting her/them know about the new fiancée and future daughter-in-law they’ll be meeting today?  Give me a break, it makes more sense than some of the places out there having a sale this weekend.

And, whether you’re a mother of human kids or furry/feathered/scaly ones have a happy Mothers’ Day whether you grab a copy of my books or not.

In Which Edmund Schubert Withdraws From the Hugos

Jaye:

Truly awesome and exceedingly well said.

Originally posted on Whatever:

Edmund Schubert, editor of Intergalactic Medicine Show, has withdrawn from consideration for the Best Editor Hugo (short form). He posted a letter about it on Alethea Kontis’ site, but technical problems have made it difficult to access. So I am resposting it here for him and for Alethea. What follows here, unedited, is his letter and Alethea’s intro paragraph. Comments are off.

—————–

Edmund Schubert is a dear friend and has been since IGMS was but a twinkle in Orson Scott Card’s eye. For this reason (and because he has no true platform of his own from which to speak), I am posting this on his behalf.

I fully support Edmund in his decision. He continues to have my love and respect.

–Alethea

************************

My name is Edmund R. Schubert, and I am announcing my withdrawal from the Hugo category of Best Editor (Short Form). My withdrawal comes with complications…

View original 1,148 more words

[Reblog] It’s Tonka Toys! All the Way Down!

A bit of brilliance from Laura J Mixon that just had to be shared.

BY LAURAJMIXON | APRIL 17, 2015 · 2:40 AM
It’s Tonka Toys! All the Way Down!
I keep pondering Tade Thompson’s recent post at SAFE: “I Own SFF Fandom (and so do you).” He cuts to the heart of something that has been very much on my mind.

 

The Sad/Rabid Puppies claim a moral basis for their attack on the Hugos. They say that identity-based politics have polluted our storytelling traditions. They long for a return of the good old days when SFF stories

 

were not about race, or gender, or sexual orientation, or cultural appropriation, or all those other pesky social-justice matters, but instead favored just-great-romps, without all the politics injected into them. And at this point my Spock ears appear and my right eyebrow floats up. I think, Fascinating.

You know what? When I read a story about a woman, especially an older woman, kicking ass and taking names in an exciting space opera or fantasy setting, I certainly don’t see politics. I see an exciting space opera or fantasy with characters I can really relate to. And I’m willing to bet my friends in the LGBTQI, dis/ability, and POC communities don’t see politics, either, when they read a story that has someone whose demographics match their own. They see that person who, like them, is fighting to find their way in the world, despite all the obstacles they face. (Obstacles that can differ, based on who we are and what we’ve encountered in our lives.) Who struggles to hold onto their humanity in the face of implacable hostility. Of denial of who they are.

The Sad/ Rabid Puppies seem to think of themselves as the true descendants of the grand masters of our modern pulp SFF tradition. I find this…interesting. The idea that stories about white guys overcoming obstacles—struggling to hold onto their humanity in the face of implacable hostility and denial who they are—is somehow less political than anyone else undergoing all those struggles—is simply so illogical to me that I can help but shrug and go, whaaaa? Because you know, the Grand Masters of SFF are my forebears, too.

Seriously, dudes. What would Spock say? (WWSS???)

I wrote recently about how the books of SFF writers like Heinlein and Silverberg and Simak and Asimov and Vance and Bradbury and Tolkien saved my life, when I was young. I was an abuse survivor (post1 | post 2), not to mention a really weird kid who didn’t fit in, and those science fiction stories I found in Prospect Branch Public Library saved my life. I didn’t care if they were written by a bunch of white guys. I cared that, like me, they spent all their time gazing at stars and poring over old tomes, dreaming up all these wild tales. Connecting our future with our past. Imagining all these different rich, complex, beautiful, scary worlds. Showing me that I wasn’t the only person who thought that way, and that my life wouldn’t always be crabbed and limited as it was then.

Speaking of Spock, I had the great good fortune of being around when the original Star Trek series ran, in 1966-1968. Only my parents were really strict about bedtimes. I was too little for ST seasons 1 and 2—my bedtime was 7:30, and the show came on at 8. By the time it started, sleep had gotten hold of me. But by the time the third season came on, my bedtime was bumped up to 8 pm!! So they would send me to bed, and turn out the light, and I would crawl into the hall, creep into the living room behind the couch, and watch the show—terrified of being discovered, but unable to resist the pull. And so I had the great good fortune to watch the last season of their original run. (continues)

iBooks Sale

81KX3TFsgwL._SL1500_For not real reason beyond “I can” I’ve put Love or Lust on sale for 100% off (that’s free for those who may need another cup of coffee before following maths) and Ready or Not is marked down to 99¢!  Just for today.  It ends some time tomorrow.

71jhJo-DxUL._SL1500_Other ebook stores?  No, not today anyway.  I might randomly work my way through all of them, and the sales may not be exactly the same on all (especially given some don’t allow the same sorts of sales options), but my Apple using fans have a treat this Sunday.  You’re welcome.

Why Apple first?  Possibly because I have a new Android phone (it was $20 and my Samsung flip was so old it wasn’t fully compatible with texting anymore so it seemed like a good idea at the time) and while I kind of like the hardware I want to slap whoever designed Android, so there’s possibly a subconscious impetus behind starting with Apple.  Or, I might be starting with A.  I don’t really know.  This was, frankly, a whim that came to me like 1minute ago while I was perusing Twitter.

Enjoy!

Goodbye Sir Terry Pratchett

Terry Pratchett enjoying a Guinness at honorar...I honestly don’t know what to say about Terry Pratchett‘s death.  So much for he and Neil ever getting together and doing a Good Omens sequel.  No more Rincewind, no more Granny Weatherwax, Tiffany Aching.  The Luggage has moved on, and so many more.

Scott Lynch managed something articulate and good to say.  I’ll settle for reblogging that here:

I was surprised by my own mild reaction when I woke today and saw the first of many subtle tweets about Terry, though I guessed immediately what they meant. I was surprised by just how many of those tweets were also some flavor of subtle or mild or restrained. I didn’t see many all-caps primal screams or 140-character duets for Emoji and exclamation point.

Of course, I peer out at the universe through a knothole as tiny as anyone else’s and the plural of “Twitter stream anecdote” is surely not “data,” nor even a distant relation to data, nor even a part-time and barely convincing cosplay of data.

And yet I think there’s something natural and inevitable about this quiet reaction. It’s not merely that we’ve all known for some time that Terry had to be passing soon, that we’ve been forced to think about it, that he had the chance to say so much about it.

When some people die, they leave the rest of us with a sense that they’ve packed their words and warmth and hauled them along like luggage for the trip, that we can never hear from them again. Terry gave us so much of himself, though, so damned MUCH– seventy books, just for starters, and a world and its inhabitants that might as well be a religion for millions. A good religion, a useful religion. The sort where there’s always a little golden light flickering behind one of the church windows at any hour of the night, so you know there’s someone there to talk to you about anything, and they won’t have locked the doors. They won’t even have put locks on the doors. Some asshole suggested putting locks on the doors once, many years ago, and everyone else in the church carried that person out of town and threw them into a pond. That’s a Terry Pratchett sort of church. That’s a Terry Pratchett book. And he walled us in with them. He stacked them high all around us, and they’re all him, they’re all still here, and they’re going to be here so very long after you and I and everyone else reading this have gone off for a last walk WITH THE ONLY PERSON IN THE UNIVERSE WHO SPEAKS NATURALLY IN ALL CAPS AND WE DON’T REALLY MIND AT ALL, IT’S JUST THE WAY THINGS HAVE TO BE.

Terry Pratchett can die, and fuck everything for that sentence. Fuck those four words. I am feeling the cracks starting to appear in me now. I’ve lost the mildness and quiet I had this morning. But here’s the point. Terry Pratchett can die, but he can never go away. (Continued here)

Queers Destroy Horror/Fantasy!

So there’s nothing with my name on it for Queers Destroy Science Fiction.  C’est la vie.  I didn’t submit anything with my name on it, so that’s to be expected.

I’m actually trying to get a couple things together for Horror and Fantasy, though.  I’m writing some kind of thing involving some college students on spring break meeting vampires; I’ve a feeling that’ll be gory if I don’t get stuck and not manage to finish it on time.  The one for Fantasy is going to be a Færie Patrol short adventure.

If they get rejected I don’t know what I’ll do wit them.  Almost certainly post them somewhere here on the site, or maybe I’ll publish them as free stories on my retail channels.  Or both.  Similar for if I don’t finish them before the submissions deadlines, assuming I finish them at all.

Still next month or so should be pretty interesting.

I should write SciFi

Anyone not heard of Queers Destroy Science Fiction yet?

I think it’s both a very cool, and very sad, thing.

First off: the cool. It’s not about queer characters, though they (logically) have said if they have to choose between two equally good works they’ll probably pick the one with queer characters over the one without; it’s about queer writers. Normally my opinion is that such details are wholly irrelevant. I couldn’t care less if my favourite authors are bigger into goats than Lord Byron (if you don’t get it I suggest that ignorance, in this case, is bliss), so long as they tell a good story.

But the rationale for this just plain rocks. The thing is that there are a rather vocal group of vitriolic homophobes, transphobes, people who assume bisexuals are more mythical than unicorns, etc. SciFi personalities from widely recognised fans, to authors, agents, even editors. Too, there’s this habit for the agents/editors to say things to the effect of “good story, but the queer quotient is too high”.

John Joseph Adams: It’s mostly people complaining about the presence of queer characters appearing in stories that I’ve seen, as opposed to complaining about the sexuality of the authors themselves. But of course by complaining about the sexuality of the characters, they’re telling queer authors that their POV is not welcome.
As one example, take a look at some of the lower-rated reviews on Amazon of my anthology THE END IS NIGH (http://www.amazon.com/End-Nigh-Apocalypse-Triptych/dp/1495471179/). There were several readers there complaining about the very existence of queer characters in the stories. And that’s in a book where I think literally 5 stories had any mention of queerness (out of 23). One story was political (about marriage equality), but the others just contained queer characters, yet the very presence of queer characters “destroyed” the stories for them. That’s what Queers Destroy Science Fiction! is rebelling against.
As another example: We did a Facebook “promoted post” to boost the signal about the Kickstarter. Within a few minutes of that going up, the post got comments like “No queers in my scifi please” and “Being gay is wrong.”

So, it’s a great protest of this attitude, and I love great protests. Pickets and clever chants have their place but are not, strictly speaking, positive nor always terribly powerful/effective (besides, too many slogans these days aren’t even all that clever; they need to find some old 1960s hippies to help). This is so many kinds of positive and powerful. It’s also heartening that the Kickstarter earned US$53K of its US$5K goal.

But it brings me to the sad: it’s heartbreaking that such a thing should even seem necessary, let alone show strong evidence of being necessary. Queers Destroy Mysteries or Queers Destroy Romance or Queers Destroy Westerns (okay, maybe Westerns) … no such feeling that this is a Thing (though it can be, there’re agents for Romance that won’t handle LGBT material … how rude!). Science Fiction, though?! Of all genres that should never have needed such a thing as this, SF was it.

Science Fiction is the genre that is supposed to make us ask questions, to dream, to show us a better future to strive for or warn us from a path towards a terrible one. It paints the world of the noble gentlemen heroes known as Lensmen, it gives us the bleak dystopian corpocratic UV irradiated hells of cyberpunk, the alien scapes of Star Wars … the new gospels of love and acceptance of Stranger in a Strange Land.

Too much of it, today, though is caught up in … I’m not sure what to call it and what my wife has to say about it is horribly unladylike and R-rated … if I cleaned it up and censored some of it.

I’ve said before that I adore Science Fiction (and its sister genre, Fantasy, so commonly collectively known as Speculative Fiction), and I do wish I had more SF ideas than I do. But I don’t really read much newer stuff, in fact I’m wont to not even be able to bring myself to consider so much of what is dubbed SciFi these days (and a sad proportion of Fantasy along with it) as legit; I just can’t bring myself to count these works as the same genre as Bradbury, Heinlein, Clarke, Asimov, Doc Smith, and Jules Verne. They just don’t really push the envelope of human imagination in the way that even some of the pulpiest garbage from back then could. As for Fantasy, it’s doing better, but there’s quite a bit lately that I feel has Lewis & Tolkien spinning in their graves such that we could connect them to turbines to power the world.

There was a time when the biggest names in SF, along with some of the least names in it, would look at the world and write things … oh hell, SciFi has been ill for so long … the beginning of the end was when Star Trek: TNG not only didn’t start with even a single character who wasn’t cis+straight, but never got one … we had to wait for Talia & Ivanova in Babylon 5.

I could go on like this for ages. It’s just that it isn’t only about representation, but about the fact that if our new mythology (Fantasy) and our dreams of the future have no place for women, people of diverse ethnicity, or queers … what hope have we of ever being accepted? Luckily the slack is taken up by drama & comedy, Will & Grace, and Orange is the New Black among others, take up the slack left by SF falling asleep on its job.

So, it’s cool Lightspeed is stepping up to the responsibilities of the genre, but it’s pretty shite that they have to resort to such methods as this.

Binary Isn’t

Originally posted on Whatever:

There’s a very interesting piece in Nature today about how science is making it more clear than ever that the binary nature of the sexes isn’t actually binary at all — that there are a lot of gradiations in biological sexual development, brought on not only via chromosomal differentation (the old “XX” and “XY” thing) but a host of other processes. This is how people with XY chromosomes can (rarely) get pregnant and give birth, and how a man who fathered four children can be discovered to have a womb. Biology: It’s wacky.

I don’t imagine this report will make essentialists (“There’s men and there’s women and that’s it!”) particularly happy, but then it’s not actually the job of science to reinforce people’s comfort zones — or bigotries, to be less polite about it. But I look forward to the mental two-step some of these folks will take to try to cram…

View original 30 more words

Women in Canada can wear what they want (and that includes niqabs)

Originally posted on niftynotcool:

(Hopefully) soon-to-be Canadian citizen Zunera Ishaq has recently won a court battle allowing her to wear her niqab (a veil, worn by some Muslim women, that covers most of the face) during her public citizenship ceremony. Prime Minister Stephen Harper called Ishaq’s wish to take the oath with her face covered “offensive”, and his government is currently appealing the federal court’s ruling.

Before I offer my opinions on the matter, some background (which you can also obtain by reading the article linked above):

  • Though Ishaq wants to wear her veil during the public swearing-in ceremony (at which a large number of people and photographers are usually present), she says she has no problem uncovering her face with a government representative in private to verify her identity before taking the oath. Therefore, the wearing of a niqab during swearing-in would not be a security concern.
  • Since 2011, a law introduced by…

View original 1,037 more words

(Bad) Advice for Fictional People: How to Be a Guy.

Jaye:

I fully agree with Mr Weaver’s assessment of the … ahem … advice, but would like to add that I do think it’s useful in one regard: it’s a handy checklist for making a nice stereotypical and generic western culture male. Picking & choosing up to 2/3 of those traits WOULD yield a decent societal expectation of a man & work for a throw away character’s surface gender expression. The full list can be used to get the kinds of guy “Bro Country” is about and the guys who identify with it try to emulate, but please note even here it ought to be exterior characteristics … not internal reality … of a character who will be unimportant and non-lasting.

To use the advice for its intended purpose would be a terrible and sexist idea unless you’re writing satire, parody, or other comedy.

Originally posted on North of Andover:

Today I want to talk about stereotypes in fiction.  Specifically, I want to talk about stereotypes in writing characters’ behavior.

Yesterday, I happened upon a blog post  with advice on how to write ‘realistic male characters’ — you know, fictional people who speak and behave the way men speak and behave in real life.

So… You probably already know that I’m not in favor of any pigeonholing of people — real or fictional — based on sex. gender, race, age, species… If I go on a bloggish rant when I see some fantasy story where the author says ‘All gnomes think alike and act alike’ — people who are entirely fictional — why should I have no opinion about stereotyping half of the human species in a similar way?

I’m sure the author of that article meant well and was just trying to help women who write male POV characters. Still…  There would be quite justifiable outrage if someone were…

View original 410 more words