Back on track soon

Now & Forever‘s third book should be back in front of me to get back to work on by the end of April.  I’m still wanting to try to write a Færie Patrol short story for Queers Destroy Fantasy otherwise it’d be by the end of this week.

Things are looking up.  Including the possibility of living in a less hellish state before the end of summer.  If that happens my writing may pick up since I won’t have to drive for 30-45min to get to somewhere conducive to thought.

In any case I’m going to rough guess Book 3 for a Christmas 2015 release at the earliest, with an Easter 2016 release more likely, and June 2016 as an outside figure.

We’ll see what happens.

No horror

Well, I was, and in a manner of speaking still am, working on a vampire horror for Queers Destroy Horror but I ended up working on something else that’s proving far more fun and interesting, so I won’t have the horror finished before the submission deadline.

It’s not abandoned, I’ll finish it sooner or later and then I’ll decide what to do with it, but it won’t be going to QDH.

I still fully intend to get a Færie Patrol short worked out for Queers Destroy Fantasy, so there’s still that to look forward to.

Goodbye Sir Terry Pratchett

Terry Pratchett enjoying a Guinness at honorar...I honestly don’t know what to say about Terry Pratchett‘s death.  So much for he and Neil ever getting together and doing a Good Omens sequel.  No more Rincewind, no more Granny Weatherwax, Tiffany Aching.  The Luggage has moved on, and so many more.

Scott Lynch managed something articulate and good to say.  I’ll settle for reblogging that here:

I was surprised by my own mild reaction when I woke today and saw the first of many subtle tweets about Terry, though I guessed immediately what they meant. I was surprised by just how many of those tweets were also some flavor of subtle or mild or restrained. I didn’t see many all-caps primal screams or 140-character duets for Emoji and exclamation point.

Of course, I peer out at the universe through a knothole as tiny as anyone else’s and the plural of “Twitter stream anecdote” is surely not “data,” nor even a distant relation to data, nor even a part-time and barely convincing cosplay of data.

And yet I think there’s something natural and inevitable about this quiet reaction. It’s not merely that we’ve all known for some time that Terry had to be passing soon, that we’ve been forced to think about it, that he had the chance to say so much about it.

When some people die, they leave the rest of us with a sense that they’ve packed their words and warmth and hauled them along like luggage for the trip, that we can never hear from them again. Terry gave us so much of himself, though, so damned MUCH– seventy books, just for starters, and a world and its inhabitants that might as well be a religion for millions. A good religion, a useful religion. The sort where there’s always a little golden light flickering behind one of the church windows at any hour of the night, so you know there’s someone there to talk to you about anything, and they won’t have locked the doors. They won’t even have put locks on the doors. Some asshole suggested putting locks on the doors once, many years ago, and everyone else in the church carried that person out of town and threw them into a pond. That’s a Terry Pratchett sort of church. That’s a Terry Pratchett book. And he walled us in with them. He stacked them high all around us, and they’re all him, they’re all still here, and they’re going to be here so very long after you and I and everyone else reading this have gone off for a last walk WITH THE ONLY PERSON IN THE UNIVERSE WHO SPEAKS NATURALLY IN ALL CAPS AND WE DON’T REALLY MIND AT ALL, IT’S JUST THE WAY THINGS HAVE TO BE.

Terry Pratchett can die, and fuck everything for that sentence. Fuck those four words. I am feeling the cracks starting to appear in me now. I’ve lost the mildness and quiet I had this morning. But here’s the point. Terry Pratchett can die, but he can never go away. (Continued here)

Queers Destroy Horror/Fantasy!

So there’s nothing with my name on it for Queers Destroy Science Fiction.  C’est la vie.  I didn’t submit anything with my name on it, so that’s to be expected.

I’m actually trying to get a couple things together for Horror and Fantasy, though.  I’m writing some kind of thing involving some college students on spring break meeting vampires; I’ve a feeling that’ll be gory if I don’t get stuck and not manage to finish it on time.  The one for Fantasy is going to be a Færie Patrol short adventure.

If they get rejected I don’t know what I’ll do wit them.  Almost certainly post them somewhere here on the site, or maybe I’ll publish them as free stories on my retail channels.  Or both.  Similar for if I don’t finish them before the submissions deadlines, assuming I finish them at all.

Still next month or so should be pretty interesting.

Gods, what a time

Well, stress of life is coming to an end and I’m finding myself with inclination to write even as I return to having precious little time for it (day jobs suck).

I’ve found a new job, I look slightly more forward to grating my own face with a nutmeg mill than the job in question, but I might’ve found a more appealing one that, besides being no less appealing than painful self-mutilation (dare I say more appealing? Hmmm could be, I’ll hopefully get to find out) it also gets me both out of the wretched state of Georgia but also out of the south altogether! Amusing coincidence: it would put me less than 30 min from the town I geographically based Salencia’s hometown on, Estes Park; that could be fun!

I’m not yet back into Book 3. I swear, I will be by end of summer if not sooner, but I need a working break from it to get back into the swing of things. I’ll be working on some short stories and some pet projects of uncertain nature, then try to get back into my Now & Forever groove; I have to! Don’t know about anyone else, but I’m curious to see what their wedding turns out like! (I am not calling that a spoiler, I don’t even know which book it happens in and anyone who didn’t see it coming during Love or Lust clearly hasn’t been paying attention)

I’m really sorry to delay things. But I don’t believe in writing just for the sake of word count. I want quality, not quantity. I’d have thrown out so much of what might have git written these past few months and got myself so thoroughly mired in nonsense that it would only have made things worse to force the matter. Please be patient, I promise you’ll appreciate the resultant book a great deal more.


I should write SciFi

Anyone not heard of Queers Destroy Science Fiction yet?

I think it’s both a very cool, and very sad, thing.

First off: the cool. It’s not about queer characters, though they (logically) have said if they have to choose between two equally good works they’ll probably pick the one with queer characters over the one without; it’s about queer writers. Normally my opinion is that such details are wholly irrelevant. I couldn’t care less if my favourite authors are bigger into goats than Lord Byron (if you don’t get it I suggest that ignorance, in this case, is bliss), so long as they tell a good story.

But the rationale for this just plain rocks. The thing is that there are a rather vocal group of vitriolic homophobes, transphobes, people who assume bisexuals are more mythical than unicorns, etc. SciFi personalities from widely recognised fans, to authors, agents, even editors. Too, there’s this habit for the agents/editors to say things to the effect of “good story, but the queer quotient is too high”.

John Joseph Adams: It’s mostly people complaining about the presence of queer characters appearing in stories that I’ve seen, as opposed to complaining about the sexuality of the authors themselves. But of course by complaining about the sexuality of the characters, they’re telling queer authors that their POV is not welcome.
As one example, take a look at some of the lower-rated reviews on Amazon of my anthology THE END IS NIGH ( There were several readers there complaining about the very existence of queer characters in the stories. And that’s in a book where I think literally 5 stories had any mention of queerness (out of 23). One story was political (about marriage equality), but the others just contained queer characters, yet the very presence of queer characters “destroyed” the stories for them. That’s what Queers Destroy Science Fiction! is rebelling against.
As another example: We did a Facebook “promoted post” to boost the signal about the Kickstarter. Within a few minutes of that going up, the post got comments like “No queers in my scifi please” and “Being gay is wrong.”

So, it’s a great protest of this attitude, and I love great protests. Pickets and clever chants have their place but are not, strictly speaking, positive nor always terribly powerful/effective (besides, too many slogans these days aren’t even all that clever; they need to find some old 1960s hippies to help). This is so many kinds of positive and powerful. It’s also heartening that the Kickstarter earned US$53K of its US$5K goal.

But it brings me to the sad: it’s heartbreaking that such a thing should even seem necessary, let alone show strong evidence of being necessary. Queers Destroy Mysteries or Queers Destroy Romance or Queers Destroy Westerns (okay, maybe Westerns) … no such feeling that this is a Thing (though it can be, there’re agents for Romance that won’t handle LGBT material … how rude!). Science Fiction, though?! Of all genres that should never have needed such a thing as this, SF was it.

Science Fiction is the genre that is supposed to make us ask questions, to dream, to show us a better future to strive for or warn us from a path towards a terrible one. It paints the world of the noble gentlemen heroes known as Lensmen, it gives us the bleak dystopian corpocratic UV irradiated hells of cyberpunk, the alien scapes of Star Wars … the new gospels of love and acceptance of Stranger in a Strange Land.

Too much of it, today, though is caught up in … I’m not sure what to call it and what my wife has to say about it is horribly unladylike and R-rated … if I cleaned it up and censored some of it.

I’ve said before that I adore Science Fiction (and its sister genre, Fantasy, so commonly collectively known as Speculative Fiction), and I do wish I had more SF ideas than I do. But I don’t really read much newer stuff, in fact I’m wont to not even be able to bring myself to consider so much of what is dubbed SciFi these days (and a sad proportion of Fantasy along with it) as legit; I just can’t bring myself to count these works as the same genre as Bradbury, Heinlein, Clarke, Asimov, Doc Smith, and Jules Verne. They just don’t really push the envelope of human imagination in the way that even some of the pulpiest garbage from back then could. As for Fantasy, it’s doing better, but there’s quite a bit lately that I feel has Lewis & Tolkien spinning in their graves such that we could connect them to turbines to power the world.

There was a time when the biggest names in SF, along with some of the least names in it, would look at the world and write things … oh hell, SciFi has been ill for so long … the beginning of the end was when Star Trek: TNG not only didn’t start with even a single character who wasn’t cis+straight, but never got one … we had to wait for Talia & Ivanova in Babylon 5.

I could go on like this for ages. It’s just that it isn’t only about representation, but about the fact that if our new mythology (Fantasy) and our dreams of the future have no place for women, people of diverse ethnicity, or queers … what hope have we of ever being accepted? Luckily the slack is taken up by drama & comedy, Will & Grace, and Orange is the New Black among others, take up the slack left by SF falling asleep on its job.

So, it’s cool Lightspeed is stepping up to the responsibilities of the genre, but it’s pretty shite that they have to resort to such methods as this.

Binary Isn’t

Originally posted on Whatever:

There’s a very interesting piece in Nature today about how science is making it more clear than ever that the binary nature of the sexes isn’t actually binary at all — that there are a lot of gradiations in biological sexual development, brought on not only via chromosomal differentation (the old “XX” and “XY” thing) but a host of other processes. This is how people with XY chromosomes can (rarely) get pregnant and give birth, and how a man who fathered four children can be discovered to have a womb. Biology: It’s wacky.

I don’t imagine this report will make essentialists (“There’s men and there’s women and that’s it!”) particularly happy, but then it’s not actually the job of science to reinforce people’s comfort zones — or bigotries, to be less polite about it. But I look forward to the mental two-step some of these folks will take to try to cram…

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Women in Canada can wear what they want (and that includes niqabs)

Originally posted on niftynotcool:

(Hopefully) soon-to-be Canadian citizen Zunera Ishaq has recently won a court battle allowing her to wear her niqab (a veil, worn by some Muslim women, that covers most of the face) during her public citizenship ceremony. Prime Minister Stephen Harper called Ishaq’s wish to take the oath with her face covered “offensive”, and his government is currently appealing the federal court’s ruling.

Before I offer my opinions on the matter, some background (which you can also obtain by reading the article linked above):

  • Though Ishaq wants to wear her veil during the public swearing-in ceremony (at which a large number of people and photographers are usually present), she says she has no problem uncovering her face with a government representative in private to verify her identity before taking the oath. Therefore, the wearing of a niqab during swearing-in would not be a security concern.
  • Since 2011, a law introduced by…

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(Bad) Advice for Fictional People: How to Be a Guy.


I fully agree with Mr Weaver’s assessment of the … ahem … advice, but would like to add that I do think it’s useful in one regard: it’s a handy checklist for making a nice stereotypical and generic western culture male. Picking & choosing up to 2/3 of those traits WOULD yield a decent societal expectation of a man & work for a throw away character’s surface gender expression. The full list can be used to get the kinds of guy “Bro Country” is about and the guys who identify with it try to emulate, but please note even here it ought to be exterior characteristics … not internal reality … of a character who will be unimportant and non-lasting.

To use the advice for its intended purpose would be a terrible and sexist idea unless you’re writing satire, parody, or other comedy.

Originally posted on North of Andover:

Today I want to talk about stereotypes in fiction.  Specifically, I want to talk about stereotypes in writing characters’ behavior.

Yesterday, I happened upon a blog post  with advice on how to write ‘realistic male characters’ — you know, fictional people who speak and behave the way men speak and behave in real life.

So… You probably already know that I’m not in favor of any pigeonholing of people — real or fictional — based on sex. gender, race, age, species… If I go on a bloggish rant when I see some fantasy story where the author says ‘All gnomes think alike and act alike’ — people who are entirely fictional — why should I have no opinion about stereotyping half of the human species in a similar way?

I’m sure the author of that article meant well and was just trying to help women who write male POV characters. Still…  There would be quite justifiable outrage if someone were…

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There are no shortcuts

Sorry for the long time with nothing but social commentary, but I’ve just not had a lot of new things to talk about.

Well, not today.

My wife, who has infinitely more patience for internet discussion forums than I (mathematicians, please feel free to correct me, but infinity is how many more times than less than nothing is something, right?), was noticing how a lot of aspiring authors, especially of an age equal to or less than our own (she was born 1980 & I 1981) seem to think there’s a secret formula to a) turn whatever idea they have into a novel & b) for it to sell.

Well, I’m here to tell you absolutely free that yes such a formula does exist!! [Try to imagine that sounds a bit like the twin sister of that bearded guy on all the infomercials]

A) Sit your arse down (you may stand if desired, but it’s liable to get uncomfortable and awkward), put letters together until they form words, put words and punctuation together until they form sentences, put the sentences together until they make paragraphs, those you’ll group into chapters, and finally you gather you chapters into a novel (advanced authors can group novels into series).

B) Put it out there, and don’t give up.

That’s all you can do.

Yes, if you want to write something as, largely, ephemeral as a Harlequin Romance there’re formulae to follow and it will turn you out a cookie-cutter story quickly and you can usually get Harlequin Press to buy it. Not knocking it, for one thing some really phenomenal authors have written that kind of thing, and some if the greatest Western & SciFi stories were that. But those authors took the formula in hand and, pardon the expression, made it their little bitch; it followed them, rather than the other way around. It set the parameters of the story, but they still has a story to tell.

There’s no special trick that will guarantee you’ll finish the thing, except not giving up.

Outlines? No, I couldn’t even outline my finished work if my life depended upon it, let alone something I haven’t written yet; I don’t really have the faintest clue how. You can try it, if you like, some authors dig it and others hate it, and still others (such as myself) are mystified and intimidated by it.

Character questionnaires? They’re fun, the better of them can possibly be a handy reference tool, but remember that you probably couldn’t fill one out completely for yourself and six friends and, even if you can, you probably won’t have an accurate picture of any of you … so they shouldn’t be your alpha and omega of characterisation.

It doesn’t matter if you sit down with Pantera at decibel levels that would shame Grand Funk and a Big Gulp full of Jamesons, lock yourself in a sound proof room with incense, try to use a laptop while sitting zazen, or spend the day on the London underground with a BIC writing on Kleenex. It’s just got to work for you. You probably shouldn’t ritualise it over much or you’ll find yourself so caught up in ritual that you lose track of ideas; really, that spark of inspiration isn’t going to wait while you to fire up the Yanni CD, brew that special herbal tea, paint your toenails, take a bath, and chain the family and neighbours in your basement (yes, I’m sort of making fun of a few people from a thread on NaNoWriMo).

There’s no secret to making it a great story, either. Doesn’t matter if you wrote it in one draft or fifty (though excess drafts can lead to a too sterile narrative, but excess is a relative quantity), it doesn’t matter if you go over it with a fine toothed thesaurus or strip out every scrap of descriptive language, axe murder every adverb or add fifteen to every sentence. None of those tricks you find touted are a magic solution. Some help in certain genres, some work for certain types of writing (non-fiction, scripts, etc.) because, contrary to a new popular attitude, writing is not the same across all things. What is necessary to ensure accurate and logical textbooks is useless to a novel, what helps keep a short story streamlined can ruin a script, and so on. All that can make a story great is a mix of perception from the reader, talent of the writer (yes, there’s such a thing as talent, and all the piano lessons & practice in the world will no more turn you into Bach than all the writing exercises in history will make you Rudyard Kipling), and some stories are more liable to resonate with people than others (according to someone, Pat Rothfuss I think, that’s going to ultimately be the human heart in conflict with itself).

As for selling it? Well, you’ll never sell what never leaves your hands (literally and metaphorically). Whether you self-publish or traditionally do so, you have to try.

There’re things that help.

First off, yes, having written the current popular formula … assuming you haven’t finished in a saturated market that is beginning to reach critical mass and be transitioning to something else. If you like the style of story, fine. But I suggest you not write it just because it’s what’s selling right now … not unless you’re an experienced writer who can knock out a clean manuscript to shop to an agent or to post to iBooks in only a month or three, because you’re unlikely to finish while it’s still In.

Secondly, don’t get discouraged. Remember, it took a long time for the Beatles and J K Rowling to get a contract. They both could wallpaper a room with rejections. If you’re self-publishing … remember that, by and large, people don’t read. Even NYTimes Bestsellers might only have got a thousand sales, and they probably had the help of ads that cost a couple thousand dollars each.

Thirdly, don’t give up. Taking down a story that isn’t selling isn’t going to sell it any better. If it ain’t costing you to offer it, don’t remove it. If you’re traditionally published … try talking to your agent to see if they can help you get some better publicity or something.

Finally, edit. Self-published especially, since you’re not going to sell very well if you’ve a book out that looks like it was written by a schizophrenic toddler with Tourette syndrome, but even if you plan to submit it to an agent/publisher it’s not going to impress them to look at a garbled parody of English (or French, Portuguese, or whatever you wrote it in); they’re buying your writing, not your glorious idea … besides, even if they love the idea, they’ve got to be able to find it inside all that text, and they can’t do that if it’s unintelligible.

One trick that does really help, though: read. Doesn’t have to be the genre you’re writing in (might even help not to be, but that depends on you), but read. The kind of writing does matter, it does no good to read novels to learn to be a poet, but beyond that just read for the simple pleasure of it. Don’t pull the story apart like some literature class assignment looking for themes and plots and cheeseburgers and … buggered if I know, I was never lying when I said I paid all but no attention whatsoever in my literature classes … just read. By doing so you’ll, the same way a child learns to speak by listening to people around her talking, you’ll start to get an idea how to tell a story.

Really, if the only thing you’ve ever read is a book about how to write (or books) it’ll show. There’ll be something unnatural about it to those who can’t spot the signs, and the rest of us can probably damned near say which writing manuals you used.

Stephen King, American author best known for h...

“If you don't have time to read, you don't have the time (or the tools) to write. Simple as that.”

― Stephen King

Writing, like life, can’t be hurried and still maintain quality. Kraft Easy Mac might only take a minute in the microwave, but is it really anywhere near as good as the stuff your nana made from scratch with three kinds of real artisan cheeses and homemade pasta? Probably not, unless nana was real shite in the kitchen. And, unlike the Easy Mac which, news flash younger readers, used to take something like five minutes, there’s nothing much that can speed up writing except, maybe, spending time you could otherwise be writing doing exercises in Mavis Beacon Teaches Typing. So, if you never want to be better than mid-list (if that high) forget about shortcuts, forget about tricks, forget about anything except what it takes to keep your story moving, your fingers on pen/keyboard, your characters from wandering off to play strip poker, and so that you can remember that Bridgette has curling green hair now because of that spell that backfired in the third chapter.

And seriously, folks, who besides Dean Wesley Smith actually ever wants to be known for churning out literary Easy Mac?! (don’t ask).